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<channel>
	<title>Paulien Dresscher</title>
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	<link>http://www.dresscher.nl</link>
	<description>media research development and education</description>
	<pubDate>Mon, 28 Jun 2010 07:26:56 +0000</pubDate>
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		<title>The Smooth and the Striated</title>
		<link>http://www.dresscher.nl/2010/06/debate-%e2%80%9cthe-smooth-and-the-striated%e2%80%9d-version-12/</link>
		<comments>http://www.dresscher.nl/2010/06/debate-%e2%80%9cthe-smooth-and-the-striated%e2%80%9d-version-12/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 08:45:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Deleuze]]></category>

		<category><![CDATA[Education]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[cinema]]></category>

		<category><![CDATA[philosophy]]></category>

		<category><![CDATA[technology]]></category>

		<category><![CDATA[debate]]></category>

		<category><![CDATA[science]]></category>

		<category><![CDATA[UVA]]></category>

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		<description><![CDATA[ 




Speakers: Laura U. Marks (Simon Fraser University, Canada),  Edward Shanken Universiteit van Amsterdam) Nathalie Beekman and Thuur Caris (Pavlov Elab  Groningen) Patricia Pisters (Universiteit van Amsterdam), Menno Lievers (Universiteit Utrecht) Rob Zwijnenberg (University Leiden).
Moderator: Margriet Schavemaker (head of collections, Stedelijk Museum)









doors open 14.00 hrs debate 14.30 hrs. - 16.30 hrs drinks afterwards
Limited amount of [...]]]></description>
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		</item>
		<item>
		<title>Our Bulp</title>
		<link>http://www.dresscher.nl/2010/06/bulp/</link>
		<comments>http://www.dresscher.nl/2010/06/bulp/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 07:11:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[landmark]]></category>

		<category><![CDATA[sustainability]]></category>

		<category><![CDATA[technology]]></category>

		<category><![CDATA[electricity]]></category>

		<guid isPermaLink="false">http://www.dresscher.nl/?p=417</guid>
		<description><![CDATA[
Soon, on top of my building, Pakhuis Wilhelmina, sustainable demarcation, decorative and with a message, will be winking at me: As developed by Michiel Huijsman and Annet Bult, a new city mark arises, powered by the sweaty bodies at the gym on the ground floor. Finally I do not need to explain anymore, which building [...]]]></description>
		<wfw:commentRss>http://www.dresscher.nl/2010/06/bulp/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Dreams About the iPad</title>
		<link>http://www.dresscher.nl/2010/05/dreams-about-the-ipad-and-our-current-relation-to-technology/</link>
		<comments>http://www.dresscher.nl/2010/05/dreams-about-the-ipad-and-our-current-relation-to-technology/#comments</comments>
		<pubDate>Mon, 31 May 2010 12:33:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactivity]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[cinema 2.0]]></category>

		<category><![CDATA[online video]]></category>

		<category><![CDATA[web 2.0]]></category>

		<category><![CDATA[iPad Screens Apple Wired]]></category>

		<guid isPermaLink="false">http://www.dresscher.nl/?p=395</guid>
		<description><![CDATA[and our current relation to technology 

Currently I am working on an article about the technological imaginary surrounding the launch of the iPad. In this post I will share with you parts of the media research. The theoretical framework will follow later.

Topic: Imagining the iPad
For years, rumors were circulating, mainly on online platforms, about the [...]]]></description>
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		</item>
		<item>
		<title>IDFA: the Googlization of Cinema?</title>
		<link>http://www.dresscher.nl/2009/12/idfa-doc-lab-live-screenings-or-the-googlization-of-the-cinema/</link>
		<comments>http://www.dresscher.nl/2009/12/idfa-doc-lab-live-screenings-or-the-googlization-of-the-cinema/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 23:37:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Idfa]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[Storytelling]]></category>

		<category><![CDATA[cinema]]></category>

		<category><![CDATA[online video]]></category>

		<category><![CDATA[cinema 2.0]]></category>

		<category><![CDATA[doclab]]></category>

		<category><![CDATA[online storytelling]]></category>

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		<description><![CDATA[

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IDFA: Doc Lab Live Screenings or the Googlization of Cinema?


Doc Lab programmer Caspar Sonnen explains he is focused on “finding ways to reach an audience bigger than just new-media experts… the point is that there are great stories emerging online and we have to show them!” This seems to [...]]]></description>
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		</item>
		<item>
		<title>IDFA:Ira Glass &#038; Julian Temple</title>
		<link>http://www.dresscher.nl/2009/11/idfamedia-fonds-lecture-ira-glass-media-mix-master-julian-temple/</link>
		<comments>http://www.dresscher.nl/2009/11/idfamedia-fonds-lecture-ira-glass-media-mix-master-julian-temple/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 12:57:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Idfa]]></category>

		<category><![CDATA[Radio]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[Storytelling]]></category>

		<category><![CDATA[cinema]]></category>

		<category><![CDATA[Ira Glass]]></category>

		<category><![CDATA[Julien Temple]]></category>

		<guid isPermaLink="false">http://www.dresscher.nl/?p=321</guid>
		<description><![CDATA[

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 IDFA:Media Fonds lecture Ira Glass &#38; Media Mix Master Julian Temple
On this very memorable Saturday afternoon the Red Bull drinking special Doc Lab guest and master storyteller Ira Glass, and the British wine-sipping documentary, clip, and fiction filmmaker Julien Temple were present at the Escape Club to talk [...]]]></description>
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		</item>
		<item>
		<title>IDFA:Vertov 2.0 &#038; Archival Explorations</title>
		<link>http://www.dresscher.nl/2009/11/idfa-about-vertov-20-and-shaw%e2%80%99s-archival-explorations/</link>
		<comments>http://www.dresscher.nl/2009/11/idfa-about-vertov-20-and-shaw%e2%80%99s-archival-explorations/#comments</comments>
		<pubDate>Sun, 22 Nov 2009 18:07:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Interactivity]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[archiving]]></category>

		<category><![CDATA[cinema 2.0]]></category>

		<category><![CDATA[crowdsourcing]]></category>

		<category><![CDATA[online video]]></category>

		<category><![CDATA[web 2.0]]></category>

		<guid isPermaLink="false">http://www.dresscher.nl/?p=298</guid>
		<description><![CDATA[

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Idfa: About Vertov 2.0 and Shaw&#8217;s Archival Explorations
The next few days I will  do some blogging on the International Documentary Festival Amsterdam with the focus on those events in which new media practices are visible in traditional forms of filmmaking or are influencing form, context, and  content [...]]]></description>
		<wfw:commentRss>http://www.dresscher.nl/2009/11/idfa-about-vertov-20-and-shaw%e2%80%99s-archival-explorations/feed/</wfw:commentRss>
		</item>
		<item>
		<title>The Virtual and the Actual of Embodiment</title>
		<link>http://www.dresscher.nl/2009/06/reproducibility-of-touch-trust-and-vulnerability/</link>
		<comments>http://www.dresscher.nl/2009/06/reproducibility-of-touch-trust-and-vulnerability/#comments</comments>
		<pubDate>Tue, 30 Jun 2009 21:53:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Interactivity]]></category>

		<category><![CDATA[Virtual Reality]]></category>

		<category><![CDATA[curating]]></category>

		<category><![CDATA[embodiment]]></category>

		<category><![CDATA[telepresence]]></category>

		<category><![CDATA[kozel]]></category>

		<category><![CDATA[sermon]]></category>

		<guid isPermaLink="false">http://www.dresscher.nl/?p=280</guid>
		<description><![CDATA[

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Or art as Interface for the real
Introduction
Telematic Embrace 

Do you remember this game kids play? One hand is put flat on a glass window while someone else does the same at the other side. Two hands touching, electrifying each other by sight, without physical sensors, just by positioning the [...]]]></description>
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		</item>
		<item>
		<title>Spatialities &#038; Temporalities</title>
		<link>http://www.dresscher.nl/2009/02/anna-munsters-materializing-new-media-embodiment-in-information-aesthetics/</link>
		<comments>http://www.dresscher.nl/2009/02/anna-munsters-materializing-new-media-embodiment-in-information-aesthetics/#comments</comments>
		<pubDate>Tue, 24 Feb 2009 12:00:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[Virtual Reality]]></category>

		<category><![CDATA[Virtual Worlds]]></category>

		<category><![CDATA[connectivity]]></category>

		<category><![CDATA[ethico-aesthetic]]></category>

		<category><![CDATA[review]]></category>

		<category><![CDATA[virtual space]]></category>

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Anna Munster&#8217;s Materializing New Media: Embodiment in Information Aesthetics
review
In addition to her earlier approach of the aesthetics of virtual space in terms of the physical and the spatial (Munster 86-109), Munster considers in the chapter Digitality: an ethico-aesthetic paradigm for information the ethical within the aesthetical through social dimensions (Munster 151). [...]]]></description>
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		</item>
		<item>
		<title>Archival Trouble</title>
		<link>http://www.dresscher.nl/2009/01/archival-trouble-about-the-right-of-being-online/</link>
		<comments>http://www.dresscher.nl/2009/01/archival-trouble-about-the-right-of-being-online/#comments</comments>
		<pubDate>Sat, 31 Jan 2009 07:08:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Research]]></category>

		<category><![CDATA[archiving]]></category>

		<category><![CDATA[cinema 2.0]]></category>

		<category><![CDATA[curating]]></category>

		<category><![CDATA[online video]]></category>

		<category><![CDATA[web 2.0]]></category>

		<category><![CDATA[derrida]]></category>

		<guid isPermaLink="false">http://www.dresscher.nl/?p=255</guid>
		<description><![CDATA[

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About the Right of Being Online
Introduction
Derrida was worried, back in 1996, about what could happen to his words once recorded and out of his grasp. His use of the ‘right of inspection’ to protect these recordings, nowadays seems to be transformed into the ‘right to be seen’: the younger [...]]]></description>
		<wfw:commentRss>http://www.dresscher.nl/2009/01/archival-trouble-about-the-right-of-being-online/feed/</wfw:commentRss>
		</item>
		<item>
		<title>The Telematic Embrace</title>
		<link>http://www.dresscher.nl/2008/11/the-telematic-embrace/</link>
		<comments>http://www.dresscher.nl/2008/11/the-telematic-embrace/#comments</comments>
		<pubDate>Thu, 27 Nov 2008 15:06:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Art]]></category>

		<category><![CDATA[Interactivity]]></category>

		<category><![CDATA[Research]]></category>

		<category><![CDATA[Virtual Reality]]></category>

		<category><![CDATA[Virtual Worlds]]></category>

		<category><![CDATA[curating]]></category>

		<category><![CDATA[web 2.0]]></category>

		<category><![CDATA[Ascott]]></category>

		<category><![CDATA[books]]></category>

		<category><![CDATA[cybernetics]]></category>

		<category><![CDATA[interactive]]></category>

		<category><![CDATA[telematics]]></category>

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		<description><![CDATA[

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Telematic Embrace 2003
Roy Ascott/Edited by Edward Shanken
Introduction
The first hundred pages of The Telematic Embrace are used by Edward Shanken to introduce us to the basics of telematic art and to the work of Roy Ascot while using him as a guide through the history of art in the last [...]]]></description>
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